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History of the Popped Collar
Upturned Collar, Wikipedia |
Retrieved on 10.08.06 |
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Origins
Before the early twentieth century, most shirt collars were turned up
in some manner. Men and women alike wore tall, stiff collars (as much
as three inches tall), not unlike a taller version of a clerical
collar, made either of starched linen, cotton, or lace. The writer H.
G. Wells remarked in his 1902 book Kipps that these "made [the] neck
quite sore and left a red mark under [the] ears." Between the late
nineteenth century and mid-twentieth century, men's collars were often
detachable from their shirts, connected only by two removable collar
studs (one in front and one in back). Detachable collars were very
stiff, and either stood straight up (as in a Hamilton collar) or were
pressed over at an ironed-in, starched crease (as in a Fremont
collar). After World War II, mass-production gradually phased out
detachable collars from ordinary dress shirts. Occasionally, one can
still find detachable collar formal shirts, designed to be worn with a
tuxedo or evening dress. Brooks Brothers sells such a shirt at a few
locations.
Lapels on jackets and coats, which resemble (and derive from) a longer
collar, were and are also occasionally worn turned up. The frock coat
of the eighteenth and nineteenth century often had a solid lapel that
was always turned up. Gradually, toward the mid-to-late nineteenth
century, however, lapels became folded down and "pieced out," in the
peak, notched, or shawl lapel that one sees to this day. Today,
however, a jacket lapel's ability to be turned up helps to provide an
extra modicum of warmth when weather is cold or windy.
With the advent of the tennis shirt, however, the upturned collar took
on a whole new purpose. In 1929, René Lacoste, the French 7-time Grand
Slam champion, decided that the stiff dress shirts and ties usually
worn by tennis players were too cumbersome and uncomfortable for the
tennis court. Instead, he designed a loosely-knit pique cotton shirt
with an un-starched, flat protruding collar and a longer shirt-tail in
back than in front. This came to be known as the tennis shirt.
Lacoste's design called for a thick pique collar that one would wear
turned up in order to block the Sun from one's neck. Thus, the tennis
shirt's upturned collar was originally designed by the inventor of the
tennis shirt, himself, for ease and comfort on the tennis court,
aiding the player by helping to prevent sunburn and hyperthermia.
Gradually, as tennis shirts became more popular and were produced more
widely, their use transcended tennis and was adopted for golf, polo,
other sports, and everyday life. As the tennis shirt entered the
popular culture, wearers were less apt to turn up their collar to
block the Sun if not wearing the shirt during sport or outdoor
activity. Thus, most people began to wear a tennis shirt without the
collar turned up, or turning them up only when involved in sport. The
professional golfer Fuzzy Zoeller is known for this practice today; as
the golf shirt is a looser-fitting descendant of René Lacoste's tennis
shirt, off the course Zoeller wears his golf shirt's collar turned
down, whereas one often observes him with an upturned collar while he
is playing.
Initial Adoption as Trend
In 1980, Lisa Birnbach published The Official Preppy Handbook, in
which she extolled the "virtues of the upturned collar." According to
Ms. Birnbach, rather than being a sports innovation, the upturned
collar on a tennis shirt was simply a signal that the wearer is a
"preppy". Despite this obviously tongue-in-cheek characterization, Ms.
Birnbach did correctly identify that one was more likely to view an
upturned collar on the beaches of Nantucket than one would in middle
America.
The book was a bestselling sensation. As a result, many people outside
of the "preppy" enclaves of New England began emulating the style
espoused in and categorized by Ms. Birnbach. As such, ordinary people
in middle America who would not otherwise have done so began to wear
the collars of their tennis shirts turned up as a popular culture
trend, but not because of the collar's utilitarian purpose of blocking
the Sun. Nevertheless, this style ultimately seemed to pass out of
popular culture fashion by the middle of the 1990s.
Resurgence as Trend
In very recent years, however, the upturned collar has undergone a
resurgence in popularity as a trend in the popular culture,
particularly in the United States, where some people began to refer to
it as a "popped collar" (especially after R&B performer Usher released
a hit single in 2001 entitled Pop Ya Collar). For a time, it also
gained popularity as a trend in Europe (perhaps after soccer star Eric
Cantona or David Beckham). Although the upturned collar no longer
seems to be in vogue there, certain Americans still perceive the
upturned collar to be a "preppy" status symbol and wear their collars
turned up as such. This trend seems to be no longer limited to tennis
shirts, as some people turn up the collars of shirts not designed to
be worn that way or to have such a function.
Today, however, some Americans regard the trend as having worn out its
welcome, and thus the wearer of an upturned collar can be the object
of mockery and scorn. Still, others continue to turn up their collars
as a popular culture fashion. This has been bolstered by publicity
from retailers with a middle-class clientele, such as J. Crew and
Abercrombie & Fitch (see conspicuous consumption) (although
Abercrombie & Fitch company styling requirements for the "Back to
School 2006" floorset officially said that their workers should not be
turning their collars up [1]).
Of course, even amidst this environment, there are many people
throughout the Western world who do not turn up the collars of their
tennis shirts as a popular culture trend (and are often mystified by
its adoption as a trend), but rather continue to do so either out of
lifelong habit or for the sport use for which it was originally
designed.


